The World That I See: Reads and Listens #7

This Friday is the release of the Veronica Mars movie, and I’ll be watching its box-office results closely. A success would not only bring the potential for more installments of the series; it would also raise the chances of similar ventures happening for other beloved shows. Could a sequel to Serenity be that far behind it? Netflix is already involved with re-starting series that failed on other networks, so this is hardly the only show in town. Even so, there’s a lot riding on whether the fans hit the theaters this weekend. It’s also noteworthy that this movie will arrive on VOD at the same time as its theatrical release. Even if the ticket sales aren’t huge, it could draw major profits through on-demand viewings. I’ll be using that service to check it out, and I expect many others are in the same boat.

Here are some interesting blogs and podcasts that are definitely worth your time:

I’m participating in the Blind Spots Series for the third year and can’t wait to catch up with such a promising group of films. It’s organized by Ryan McNeil of The Matinee, and the participation has skyrocketed this year. He also hosts The Matineecast, and the latest episode of his podcast brings six writers in to discuss their latest discoveries. What’s refreshing is hearing from voices that are mostly new to the podcasting arena and come from around the world. The diverse group of movies includes Agnès Varda’s Cléo from 5 to 7, one of my favorites of the French New Wave.

Nathan Rabin’s Forgotbusters series at The Dissolve explores movies that were huge box-office successes yet have slipped away from the cultural landscape. It’s a much different approach to his excellent “My Year of Flops” series, yet it delves into another segment of films that rarely get much credit. His latest piece is about Eraser, which he aptly describes as the “most Schwarzeneggerian movie Arnold Schwarzenegger ever made.” The set pieces are so ridiculous that it’s hard to comprehend that it even exists. I haven’t seen this movie since its original release, but I’m ready to hop on board and check it out again. Here’s a sample of Rabin’s energetic take on this forgotten gem:

Kruger isn’t just an unusually pure good guy; he’s practically ass-kicking Jesus, though even Jesus had his moment of doubt on the cross. Also, Jesus had those disciples helping him out; as Kruger sternly but compassionately asserts more than once, he always works alone. (So in some ways, Kruger is actually better than Jesus.)


  1. Many thanks for the plug, kind sir! Funny thing - I was so hellbent on getting guests from different countries and preserving the male/female balance that I didn't really notice I had mostly cast podcasting newbies until I sat down to edit.

    Funny the way that happens sometimes, ain't it?

    1. That's funny. I figured that was part of your plan, with Mette and Jay being the exceptions. Nice work putting everything together. I'm sure it was really tricky to fit with everyone's schedules.

  2. "gender imbalance within film criticism" sounds like an interesting read, I'll give that a look.

    Didn't know your brother blogs! Jeffrey Lewis' discography I'd like to explore further, I was impressed by the only album I've heard by him, 2011's "A Turn In The Dream-Songs"

    I'm one of those who used to hate Wes Anderson, haha, but since Moonrise, I've mellowed :)

    1. Ha. I'm glad you've mellowed a bit on Anderson. I'm cool with people not liking him, but I find that the arguments are often too simple. My brother is a lot more accomplished of a writer than me, so I'd definitely check out his work if you can. Here's his PopMatters work:

      He's been doing a lot on country music lately, but it's all really well done.


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